Process & Objectives :

For the last sixteen years, i have been developing a research and practice on how “Fasciapulsology” could implement active conscious and physiology awareness in the body training of dancers, and also how that body- work enhances the tuning of all perceptions in any creative process and physical engagement, presence or action.
So, for a few years, i have researched and applied my questions and means through teaching in international schools, supporting artists’ projects, guiding collective practice labs, as well as performing on solo forms my own intends, and refecting/writing with researchers from different felds – on how this approach can be applied and contributing to diverse transversal realms such as language, communication, learning processes, health prevention & rehabilitation, neurobiology, psychology, philosophy and ethics.

Questions :

How is each of us relating to the mineral, the aquatic, the earthy and aerial as being part of the living world, that all civilizations have been referring to ? How do we each recognize, fnd, stabilize our individual autonomy in the fow of the collective motions, expressions, needs and intra-actions ? What are the values we wish to embody for the world we wish to create ?
How do we forge our own embodiment to maintain stability and fuidity ? To keep on clarifying our expressiveness and understanding ? How do we moment by moment respect the otherness of the other, of the others, and be respectful of our own autonomous boundaries ?
How do we meet and ride the animal instinctive energy in our own deep being, and let the non-tangible form and shape into gentle dialog of motions ? What are the possible ways to invest for the being of our physical body-language to fnd more comfort and more
creative stimulation in and with its materialist environment ?

Defning practice :

Everything in this creative work is based on touch, and the transformative sense of touch as an experience of matter being/processing moving light, where all the sensations of the non-tangible become tangible, or at last perceivable and moving.
How do we move, voice, dance and play, and bridge our imaginations, from the feld of our perceptions is one of the key we explore to create, sounding as well the infra-language and poetics as the base of any form of support, expression and inter-communication.
Originally, Fasciapulsology is a manual therapy implying a soft and deep touch to ease up the releasing of tensions in the connective tissue layer, facilitating its global mobility and harmonizing its pulsations. Since the moment of conception, our cells form, reproduce, differentiate and organize themselves to create space-the body-space – as part of the constitution of the being. The way the cells go about it, move and form is very specifc. It follows a polarization that obeys to the laws of life forces such as gravity/anti-gravity combined to the
qualities of primary elements as water, fre, air and earth.
The formation of cells into fbers, and fbers into tissues, can only occur according to frequencies of life-span momentum and their articulation of rhythms.
How all of this transformative and constant pace fnds and vitalizes its coherence is recognizable as the symphony of the body.
Through this contingency, we process and learn to contact touch from that specifc perspective. Opening our senses and perceptions to our deep inner rhythms, we explore the diverse qualities of density that can be experienced within the body, and how through the physical moving of our body inner space-motion we contact and ‘intra-act’ the echoes of the outer environment.